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About Couch (Furniture)
A couch is an upholstered item of furniture for the comfortable
seating of more than one person and typically has an armrest on
either side. Couches are usually to be found in the living room, den
or the lounge. They are covered in a variety of textiles or in
leather.
The most common types of couches are the loveseat (or British
two-seater), the settee (2.5 seats), and the sofa (3 seats). A
sectional sofa (often just referred to as a "sectional") is formed
from multiple sections (typically 2 to 4) and usually includes at
least two pieces that join at an angle of 90 degrees or slightly
greater.
Other couch variants include the divan, the fainting couch (backless
or partial-backed), the chaise longue (long with one armrest), the
canapé (an ornamental 3-seater), and the ottoman (generally
considered a footstool). To conserve space, some sofas double as
beds (sofa-bed, daybed, or futon). There are also couches known by
genericized trademarked names, such as a davenport or chesterfield
(named for the Earl of Chesterfield).
History
Until the 20th century a couch
referred to a long upholstered seat with one end inclined, high
enough to provide a back and head-rest. "Couch" which in the
Late Middle Ages had signified bedding (from the French se
coucher, or "to lie down") was interchangeable with "daybed"
through the 17th century. (Gloag, "couch"). Well into the 19th
century a couch was particularly a seat for a lady; a fainting
couch (a modern term) has a back and a single scrolling
upholstered end. A récamier was a late nineteenth-century trade
term for a similar single-ended couch, such as the one made
famous in David's portrait of Mme Récamier (illustration,
right).
The sopha or sofa had a separate origin. "Sopha" made its entry
in written English in 1717 (OED); divan preceded it (1702). Sofa
was originally an Arabic word for the raised section of floor,
furnished with rugs and cushions, set apart for a council (see
Diwan) thus also for especially esteemed guests. Designs for "sophas"
in Thomas Chippendale's Director (1754, 1762) all have solidly
upholstered arms with padded elbow rests, cushioned seats and
upholstered backs, but show their carved wood framing.
Further back in ancient Roman society, the couch was found in
the dining room (known as the triclinium). Three couches would
be arranged around a low table and the men would recline while
eating (although the women sat in normal chairs).
Originally it was an elitist piece of furniture and it was not
until industrialisation that the upholstered couch became an
indispensable item of furniture in middle and lower class
households. Throughout its history it has often been an object
of derision, considered a variety of things from decadent to
conformist.
Since 19th Century the couch has become associated with Freudian
psychoanalysis. Freud originally used the couch as a tool to aid
his hypnosis of the patient. However when he moved on from
hypnosis to stream-of-consciousness discourse as his dominant
mode of analysis with the development of the interpretation of
dreams, he still held on to the couch. He justified this with
the need to limit the transference between psychoanalyst and
analysand. Thus, the couch proved particularly useful because it
limits the visibility of the analyst
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